Monthly Archive:: November 2012

Sewer Election – Sex/Death (Troniks/PACRec)

Swedish noise/power electronics craftsman Sewer Election delivers some seriously violent sonic annihilation with touches of hypnotic droning electronics on Sex/Death.  The title hymn from Hell “Sex/Death” is 30:25 minutes of rumbling distorted bass explosions and white noise crackles that feels heavy and deadly, sort of like what I would imagine it would feel like to [&hellip

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Death Factory – Machinen Unter Kontrolle (No Visible Scars)

Bass/feedback rumble sounding like a building collapsing beneath the screeching metallic whirring and analog loop effects which suddenly stop for a creepy almost sci-fi ambient break as the dust settles from the explosive power electronic fury as strange robotic and alien electronic frequencies emerge post apocalypse.  This is the beginning of a power electronic/sci-fi/conspiracy theory [&hellip

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Interview with SF of Lord Time/Kilt/Harrassor Notoreity

JW: Hey Sandor!!!!! First off, thanks a ton for your interest in doing this interview, and secondly thanks for KILT and Lord Time as it’s always great to hear unique and genuine expressions in music and those are two great projects for those reasons. Lord Time is very different than KILT and has a certain abrasiveness and improvised sound [&hellip

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Ad Patres

Scars of Compromise by AD PATRES 1/ Please give our readers a brief introduction to Ad Patres and a history of the band! Sébastien “Canard” Brouchican (guitars): Hi, Ad Patres is a death metal band from Bordeaux, France it was born in the end of 2008 when Arnaud, Julien And I met Alsvid in a [&hellip

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Void Moon

‘On the Blackest of Nights’ is your first full length album release, please tell us a brief history of the band. I know you had previous demos and an EP circulated, as well…. The band was formed in 2009 by Jonas Gustavsson (guitars/vocals), Thomas Hedlund (drums) and me, Peter Svensson (bass). I have known the [&hellip

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Nominon

Death hails to NOMINON Your new album, ‘The Cleansing’, is out now on Deathgasm Records! Tell us about this crushing collection of curses! PERRA: It’s a collection of nine songs (ten on the LP) that were all written between last summer and April 2012. After some studio issues we ended up recording the whole thing [&hellip

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Black Goat of the Woods – self-titled EP

“Almost nobody dances sober, unless they happen to be insane.” – H.P. Lovecraft Whatever your personal slant may be, different types of music can have many different effects (good and, uh…bad) on the human mind and its vast spectrum of emotional reactions. The experience is most definitely special to the listener. A sappy love song [&hellip

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Engorgement – Excruciating Intestinal Lacerations (Comatose Music)

Reviews tend to be longwinded, like a hot and silent beer fart, and many times it’s not necessary to spend more time trying to describe something than there is actual audio. We all live in a busy time and so why not review more in depth, without succumbing to diarrhea of the written word? The [&hellip

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Ives – Abandon LP (Prison Tatt)

Here’s yet another violent and harsh act that exudes a nightmarish stench of sociopathy and unrestrained creative boundaries that makes my ears bleed from its shrill fucked up black metal assault. Ives hail from Florida and create vortexes of crusty turbulent black metal that is really beyond a fair description aside from that just said. [&hellip

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Demonologists – S/T one-sided LP (Prison Tatt)

Demonologists essentially bring absolute debauched supernatural horror to life in all of their creations, but with this LP I really think they went above and beyond fear inducing, mind-fucking madness. For those unfamiliar with this act, it’s best to say that with this album they are a hypnotic concoction of violent black metal with absolutely [&hellip

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